
Coolie No. 1
over 4 years ago
over 4 years ago ...more
over 4 years ago
In this live projection performance for 16mm film, Tomonari Nishikawa explores the material specificity of the cinematic apparatus through a real-time manipulation of its physical elements. Scratching directly onto the emulsion of a looping filmstrip in the midst of projection, Nishikawa creates animated abstractions in a pattern of horizontal lines, and also generates the film’s score, a percussive throbbing of noise.
Six Seventy-Two Variations, Variation 1
2021
over 4 years ago
over 4 years ago
almost 4 years ago
almost 41 years ago
about 6 years ago
over 5 years ago
almost 8 years ago
over 2 years ago
about 10 years ago
over 4 years ago
over 8 years ago
over 5 years ago
over 8 years ago
about 8 years ago
almost 6 years ago
over 8 years ago
about 5 years ago
almost 2 years ago
about 7 years ago
over 3 years ago
over 4 years ago ...more
over 4 years ago
In this live projection performance for 16mm film, Tomonari Nishikawa explores the material specificity of the cinematic apparatus through a real-time manipulation of its physical elements. Scratching directly onto the emulsion of a looping filmstrip in the midst of projection, Nishikawa creates animated abstractions in a pattern of horizontal lines, and also generates the film’s score, a percussive throbbing of noise.
Six Seventy-Two Variations, Variation 1
2021
over 4 years ago
over 4 years ago
almost 4 years ago
almost 41 years ago
about 6 years ago
over 5 years ago
almost 8 years ago
over 2 years ago
about 10 years ago
over 4 years ago
over 8 years ago
over 5 years ago
over 8 years ago
about 8 years ago
almost 6 years ago
over 8 years ago
about 5 years ago
almost 2 years ago
about 7 years ago
over 3 years ago