No image available
1
over 3 years ago
over 9 years ago ...more
over 9 years ago
Premiered in the framework of Bafici, Seized Files: Film School is the second collective feature sponsored by the Museum of the Cinema of Buenos Aires, this time with propaganda series produced during the fifties, aimed at a young audience also protagonist of them. The more re-concentrated nature of materials, less heterogeneous than events intervened "first project use old newsreel "Sucesos Argentinos"", makes that the movie has a more cohesive character on the back and return of the same images, flowed through various searches of each Director, creating different looks and uses. In this case, the director wanted to out his 'intervention' in all senses of the word, just like Prividera's previous feature films. In fact, in these few minutes is both using the file how in the beginning of Fatherland (2011), and the intertitles deployed on M (2007), in base a quote it reconsiders those old images and words looking for its resonance in our present.
PPP
2016
No image available
over 3 years ago
about 25 years ago
over 28 years ago
over 120 years ago
over 19 years ago
over 44 years ago
about 24 years ago
over 34 years ago
over 47 years ago
about 8 years ago
about 42 years ago
No image available
about 19 years ago
No image available
over 15 years ago
about 47 years ago
about 9 years ago
over 5 years ago
almost 7 years ago
over 12 years ago
almost 38 years ago
about 28 years ago
over 9 years ago ...more
over 9 years ago
Premiered in the framework of Bafici, Seized Files: Film School is the second collective feature sponsored by the Museum of the Cinema of Buenos Aires, this time with propaganda series produced during the fifties, aimed at a young audience also protagonist of them. The more re-concentrated nature of materials, less heterogeneous than events intervened "first project use old newsreel "Sucesos Argentinos"", makes that the movie has a more cohesive character on the back and return of the same images, flowed through various searches of each Director, creating different looks and uses. In this case, the director wanted to out his 'intervention' in all senses of the word, just like Prividera's previous feature films. In fact, in these few minutes is both using the file how in the beginning of Fatherland (2011), and the intertitles deployed on M (2007), in base a quote it reconsiders those old images and words looking for its resonance in our present.
PPP
2016
No image available
over 3 years ago
about 25 years ago
over 28 years ago
over 120 years ago
over 19 years ago
over 44 years ago
about 24 years ago
over 34 years ago
over 47 years ago
about 8 years ago
about 42 years ago
No image available
about 19 years ago
No image available
over 15 years ago
about 47 years ago
about 9 years ago
over 5 years ago
almost 7 years ago
over 12 years ago
almost 38 years ago
about 28 years ago