
Naruto x UT
over 14 years ago
over 60 years ago ...more
over 60 years ago
One of filmmaker and expatriate writer Adonis Kyrou's best-known quotes translates roughly as "I urge you: Learn to look at 'bad' films, they are so often sublime." The same could be said of Kyrou's own directorial work in Greece before the advent of the 1967 dictatorship forced him to flee to Paris. This confused mess, the first cinematic attempt at portraying the Greek resistance in WWII, caused quite a stink upon release, as much for its surprising style (recalling that of Bertolt Brecht) as for its subject matter. Reaction to its screening as part of the 1966 Cannes Film Festival's International Critic's Week was heated and divisive, proving Kyrou's later statement by rising above its own inherent silliness to achieve a sort of rarefied critical status. It's bad drama that nonetheless succeeds by dint of audacity more than quality (a comment which could apply equally to the work of many exploitation directors like Jean Rollin whom Kyrou later so lovingly profiled).
The Roundup
1965
over 14 years ago
over 1 year ago
over 7 years ago
about 25 years ago
about 13 years ago
over 14 years ago
over 18 years ago
over 14 years ago
over 15 years ago
No image available
Invalid date
over 16 years ago
almost 14 years ago
over 4 years ago
7 months ago
over 31 years ago
No image available
about 17 years ago
over 67 years ago
over 15 years ago
over 5 years ago
almost 12 years ago
over 60 years ago ...more
over 60 years ago
One of filmmaker and expatriate writer Adonis Kyrou's best-known quotes translates roughly as "I urge you: Learn to look at 'bad' films, they are so often sublime." The same could be said of Kyrou's own directorial work in Greece before the advent of the 1967 dictatorship forced him to flee to Paris. This confused mess, the first cinematic attempt at portraying the Greek resistance in WWII, caused quite a stink upon release, as much for its surprising style (recalling that of Bertolt Brecht) as for its subject matter. Reaction to its screening as part of the 1966 Cannes Film Festival's International Critic's Week was heated and divisive, proving Kyrou's later statement by rising above its own inherent silliness to achieve a sort of rarefied critical status. It's bad drama that nonetheless succeeds by dint of audacity more than quality (a comment which could apply equally to the work of many exploitation directors like Jean Rollin whom Kyrou later so lovingly profiled).
The Roundup
1965
over 14 years ago
over 1 year ago
over 7 years ago
about 25 years ago
about 13 years ago
over 14 years ago
over 18 years ago
over 14 years ago
over 15 years ago
No image available
Invalid date
over 16 years ago
almost 14 years ago
over 4 years ago
7 months ago
over 31 years ago
No image available
about 17 years ago
over 67 years ago
over 15 years ago
over 5 years ago
almost 12 years ago