
To Begin Again
about 43 years ago
over 41 years ago ...more
over 41 years ago
Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.
Double Feature
1984
about 43 years ago
7 months ago
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over 1 year ago
over 7 years ago
over 51 years ago
over 1 year ago
7 months ago
3 months ago
7 months ago
almost 19 years ago
11 months ago
over 17 years ago
8 months ago
over 25 years ago
over 59 years ago
almost 41 years ago
about 1 year ago
over 23 years ago
12 months ago
over 41 years ago ...more
over 41 years ago
Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.
Double Feature
1984
about 43 years ago
7 months ago
No image available
Invalid date
over 1 year ago
over 7 years ago
over 51 years ago
over 1 year ago
7 months ago
3 months ago
7 months ago
almost 19 years ago
11 months ago
over 17 years ago
8 months ago
over 25 years ago
over 59 years ago
almost 41 years ago
about 1 year ago
over 23 years ago
12 months ago